| Prefuse 73 - Everything She Touched Tourned Ampexian ( Warp, 2009) |
| Escrito por Jakue a.k.a Jack89 | ||||||||
| Domingo, 08 de Marzo de 2009 13:45 | ||||||||
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De la mano del sello britanico Warp saldrá a la venta el proximo 14 de Abril el nuevo trabajo de Prefuse 73 "Everything She Touched Tourned Ampexian". Constará de 29 temas dispuestos a dislocar los cuellos de todo el que se ponga por delante. Info Oficial: WARP WORDS: In an era of widespread digital artistry and eye-blink information traffic, we are so bombarded with the new that simply processing the amount of music emerging from blogs and file-sharing sites can’t help but draw our attention from the existing foundation of musical cornerstones. With so many splashy debuts each week, each month, each year, it’s not uncommon for them to shine brighter in the media than the latest work from an established, proven artist. Guillermo Scott Herren (aka Prefuse 73) is nothing if not proven. It’s hard to think of a name that carries as much weight in both hip-hop and avant-rock circles as Prefuse 73, who in the past year alone has been asked to remix TV On The Radio, Pelican, BLK JKS and Cornelius, not to mention his early collaborations with School of Seven Bells and Battles. These interactions have clearly helped to shape the evolving Prefuse 73 sonic aesthetic, which has expanded to include Herren’s twisted visions of prog-rock, “machine funk” and global psychedelia. For Everything She Touched Turned Ampexian, Herren rejected the idea of straight digital recording and instead went the much more intensive route of recording to analog Ampex tape, giving the album the sound of a lost tape of exploratory studio musicians from the not-too-distant past. In addition to the recording process, Ampexian also differs in its composition, existing as a tapestry of tracks of varying lengths and moods, albeit with a remarkable linear flow and, of course, unmatched rhythmic bump. From the drum machine prog of “Parachute Panador” to the driving noise jam “Violent Bathroom Exchange”, it’s easy to deduce that Prefuse 73 is comfortably stretching out musically. “Nature’s Uplifting Revenge” sounds as if broadcast from from a pirate radio station equally enamored with Animal Collective and J Dilla, while “Simple Loop Choir” is anything but simple…an expansive robo-ballad, featuring a vocoded chorus of Herren’s voice and clouds of analog debris. From Delarosa & Asora to Savath & Savalas, through to Prefuse 73 and Diamond Watch Wrists, there’s no way to underestimate the reach of Guillermo Scott Herren’s influence and 2009 appears to be a significant culmination of the artist’s most resounding material.
El 14 del próximo mes será una fecha muy a tener en cuenta en nuestro calendario, aunque se rumorea que por la red ya circulan adelantos.
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